A few nights ago, I awoke to the sight of my daughter Ella
standing by my side of the bed fully dressed, wet hair combed, and ready for
school. I glanced at the clock—12:45 am.
“What’s the matter?” I asked, groggily.
“My alarm went off so I took my shower,” she replied. “I
guess it was just a dream.”
“Go back to bed. It’s the middle of the night,” I told her.
“Should I change?” she asked, pointing down at her blue
jeans, t-shirt, and cardigan.
“No. Just go to bed.”
The next morning I reflected on the weird sleep practices of
my kids and I did what I always do when it comes to oddities in my offspring—I
blamed it on my husband.
Before we were married, I heard stories from Brent’s
roommates about his frequent sleepwalking (or sometimes sleep running). Once he was
found sitting in the corner of his dorm room playing an invisible video game
complete with sound effects of his own making.
After we were married, Brent continued with his nighttime
activities. Once, I was shocked awake when he stood at the foot of our bed,
yelled “Spiders!” and ripped the covers off me.
For a Labor Day weekend early in our marriage, we went to
the beach with another married couple. We were too poor to get separate hotel
rooms, so the four of us shared one room with two queen-sized beds. All through
the night Brent attempted to answer the hotel phone that never rang. He also
picked up a large cardboard carton of Whoppers candy. Slowly he turned it
upside down, letting the hard chocolate candy balls bump into each other,
creating a rainfall of clattering sounds. Not satisfied with the level of noise
he had just made, he slowly turned the carton right side up, creating the
racket again. Our friends lay in the bed next to us, shaking with laughter.
Now that we’ve been married more than fifteen years, I’ve
noticed that his crazy sleep behavior has pretty much disappeared, or I’ve
learned how to sleep through it. Now his only sleep-related strangeness comes
in the form of dreams. We’ll be standing in our shared bathroom in the morning
following a dream-filled night. As I insert my contacts, he’ll tell me some
ridiculous scenario involving a person he hasn’t seen since middle school, his
job at a McDonald’s with a malfunctioning cash register, and a sudden locale
change to his grand parents' house that was swiftly filling up with miniature
marshmallows.
It’s always a weird feeling to get a few hours into your day
before you see someone who you realize was in your dream. Even if his role in
your dream is completely innocent, it feels oddly intimate and slightly
embarrassing to see him. Recently
and in the span of a few days, two different people told me they had a dream
about me. In one instance, I was giving birth to a baby. In the other one, I was
in a house packed full of kids. No matter if these dreams foreshadow any baby
news or they just predict a future slumber, these dreams encourage me. They're not embarrassing at all. These
dreamers were thinking of me even in their subconscious. They could've been dreaming about marshmallows or spiders or Whoppers but their minds were full of me and kids.
After waking up my son Knox for school this morning, we
lingered a while in his bed discussing possible ways to make his bedroom more
toddler-friendly before bringing home a new little brother/roommate.
Involuntarily, I found myself saying “if,” instead of “when.” “We should go
through all of the tiny pieces that go with your Star Wars figures if we bring Ezra home…”
Fortunately, Knox didn’t catch my slip-up. He happily jumped
out of bed and ran to the kitchen like always. I, on the other hand, have felt
burdened by this alteration in my vocabulary. My hope has waxed and waned
throughout our adoption process but I have recently felt myself spending more
time at the “Depressed Pessimist” side of the spectrum as opposed to the
“Expectant Optimist” side. With document expiration dates looming in the very
near future, we’ve begun the updating process for our files. Nearly all of the
paperwork we filled out so many months ago must now be filled out again. The
first time was exciting. This time is just depressing.
Kind friends encourage me with: “Just keep praying!” They
say, “Trust God’s perfect timing!” I hear their words but it doesn’t ring
true. I can’t imagine that God is pleased with orphans having to wait for a
family. How can He approve of the under-staffed Embassy that makes
investigating these cases take so long? Is He busy elsewhere when children die
of malnutrition and diarrhea when they simply need something to eat and clean
water to drink? From my inferior, earthly point of view, God’s timing really
stinks.
So there’s the chasm I must jump to have a faith that can
move mountains. Trusting God when everything’s going great is a breeze.
Trusting God when He’s not going in the direction nor at the speed I’d prefer
feels foolish and a waste of time.
So I ask myself, who was I really
trusting when there was smooth sailing and calm water for as far as the eye
could see? God doesn’t change but I have more moods swings than a Miss America
pageant has costume changes.
My consolation during this Faith Battle Royale that’s being
waged in my heart and mind is my faith in Him doesn’t change His
faithfulness toward me. He is the same God no matter how poorly I try to define
Him. His power isn’t diminished just because I can’t see the evidence of it. He
is gravity, tethering me to this Earth with invisible bands. I can spend the
rest of my days denying the existence of gravity--something I can't see or hold--but I can’t escape its reality.
I'm grateful for the friends who continue to pray for our son and the millions of other children who need families. I have days when my prayers seem to bounce back to me like a hollow echo--empty and mocking. It's a great encouragement to know that when I can't (or won't) pray, there are others who step in to fill that chasm.
I wept into my Kleenex as I watched the cast of Les
Miserables on the Oscars a few weeks
ago. They sang a medley of three
songs: “Suddenly,” “I Dreamed a Dream, and “One Day More.” I’m always a sucker
for Broadway musicals. And I’ll see just about anything live. There’s an adrenaline
rush for me in spite of the fact that I’m just an observer. Maybe this heart
palpitation can be attributed to my own oft-times disastrous experiences on the
stage.
When I was in the second grade, my classmates were set to
perform a Christmas program. I was selected to be one of the graceful Sugar Plum Fairies. I won’t say more, but you can read the rest of the
incident in my post called "Scars". (Spoiler: I was neither graceful nor good at remembering my line.)
In the third grade, we performed a play all about Johnny Appleseed.
I had the honor and distinction of being the first person to have a line. I was
supposed to be one of several grandchildren who runs onstage and awakens their
sleeping grandpa. Then I was supposed to say “Grandpa! Grandpa! Read us a
story!” They asked the “grandchildren” to wear pajamas for their costumes. My
mom made me a looong white nightgown. As
I climbed the stage right steps, I stepped on the front of my nightgown. In a
split second, I was facedown in front of the entire audience as they awaited my
line. Did I run out crying? No! The show must go on, so I mustered up every bit
of courage and soldiered on.
In fourth grade, the theme for our play was the life of
Thomas Jefferson. We sang songs about the Louisiana Purchase and the Whirligig--the spinning desk chair he invented. We also sang a song about the debate
between the Secretary of Treasury (Alexander Hamilton) and the Secretary of
State (Thomas Jefferson). It was high drama, folks! My part was a
narrator/townsperson who explained the importance of the debate while fellow
townspeople marched in a circle behind me with protest signs in their hands. I
had a fairly long paragraph to memorize and it took a lot of concentration to
recite it. This was only made more difficult when I was whacked in the back of
the head with a protest sign in the middle of my monologue. Did I falter? I
can’t really remember. The rest of the play is kind of foggy from there
forward.
In the seventh grade, I tried out for a part in “Friends
Forever,” a Michael W. Smith musical full of parents who don’t understand,
friends that move away, and a Boys vs. Girls number called “Get Real.” I got
the part of Janet, the girl who moved away. I’m pretty sure I gave a
heartbreaking performance every practice. It was a real tear-jerker. On a rainy
day before the big night, we were asked to perform “Get Real” in front of the
student body after Chapel. In the song the girls and boys faced each other on
stage, taking turns advancing on the other group while snapping and singing. That
was my limit of coordination. We were supposed to wear sunglasses for the song
and I had left mine in the classroom. I asked our teacher if I could run and
get them. When I returned, chapel was still in progress so I planned to sneak in
the front and sit with my fellow actors on a front pew. Instead, when I entered
the room my foot slipped on the wet floor and the momentum I had gained while
running to the class and back carried me, on my rear and splayed out on the wet
linoleum, across the front of the school. Humiliation galore. I wished I were
actually moving away like Janet.
I developed an even greater appreciation for the theater
when I was in high school. Despite our relatively small school, we had a really
active drama group and I was thrilled to be involved in any way possible. When
I was a freshman I was scenery, a.k.a. a “bench sitter.” Over the next few years, I helped with
props, lights, and sound. I was stage manager and assistant director. I recorded
lighting cues and fed lines to forgetful actors. When we put on a performance
of Miracle Worker, the story of Helen
Keller and her teacher Annie Sullivan, I wrote down each move that Helen and
Annie made during a silent food fight. They had to recreate this blocking every
time they performed it, grabbing handfuls of scrambled eggs and throwing them
in the exact same sequence for every performance.
I finally tried to sneak out from behind the curtain and be
on stage again my junior year. Our spring musical was The King and I. Our director had already asked me to be Stage
Manager but she said I could also have a small part on stage. I auditioned to
be one of the king’s daughters. I lied about my height—the princesses were
supposed to be 5 feet tall or shorter but I was more like 5’3”—and I got the part.
When they stood me up with the other princes and princesses my deceit was
revealed and I was told I had to be a prince instead. Was I embarrassed to play
a boy? Please read the above paragraphs. I would only embarrass myself if,
while playing a boy I also: a) tripped, b) got hit in the head, and c) flubbed
my lines. What’s the chance of that happening? I would need to enter the
Bermuda Triangle of Embarrassment.
I am a
Drama Nerd but I’ve never been much of a Drama Queen. There are a million
differences between a “Drama Nerd” and a “Drama Queen.” The most obvious one? A
Drama Queen rules her kingdom through revealing, public episodes of high
emotion and intrigue. A Drama Nerd is the master of no kingdom; her fiefdom is
theatrical information, song lyrics, and internal emotions. When I think back on my high school
years with my fellow Drama Nerds, I can’t help but smile. We spent all of our
free time painting sets and searching for props and laughing…we did a lot of
laughing. I wouldn’t switch to Drama Queen for anything. Who wants to be a queen all by herself when she can be a nerd with a bunch of friends?